When I was looking through my photos, trying to find one that would inspire me for my blog, I came across these photos that I took at Pier 39, San Francisco in March 2002.
I remember that day so clearly - it was a crisp spring day and there was a tulip festival on. I was 7 months pregnant and I was loving living in the States. It was one of those days where life seemed so packed with beauty and potential and inspiration that I could barely contain myself as I marveled at the glorious arrangements of colour. And later that day, back in the city, I found myself behind a young woman, about the same age I was at the time. She was wearing a pink backpack with a large smiley face on it. This woman was blowing bubbles into the air as she walked, and as they wafted into the sky and dodged around office-bound pedestrians, people looked up at them and smiled and then smiled at the girl blowing them. Such little things can create such long lasting memories.
When I look at those photos today, it reminds me of how inspired I felt that day and again I feel the anticipation of all the wonderful things in life still in store for me.
About Me
- May Barclay from http://nickelanddimestuff.blogspot.com
- My daughter has just started school and suddenly the house, like me, feels very empty - deserted even. What does one do with so much time??? The possibilities are so overwhelming, it's hard to choose any one thing. And yes, the house is a mess, the kids probably have no clean uniforms for tomorrow and the cereal is still out on the bench from breakfast, but what the hell....
Tuesday, February 23, 2010
Monday, February 22, 2010
Why I feel the need to Blog..
I feel a little like an alien in an unfamiliar land. Never thought I'd write a blog. In fact a couple of years ago, while completing my masters, a girl in my class was talking about her blog, how we needed to visit her blog, how important her blog was to her creativity. Everyone was nodding along while I was trying to work out if it was some kind of new breed of animal or something.
Now that my second child has started school and I'm trying to force myself to sit at the computer for at least a couple of hours a day to start making use of my MA in Creative Writing (and yes, I know I am a living cliche), I find that my blog is a lovely thing to think about. It's like throwing my thoughts and opinions out into the universe, never knowing if someone out there will stop to read them, whether anyone will ever know my blog exists at all.
Somedays lately when I'm at home I wonder the same thing about myself - all these hours at home, alone. It's like, if no one sees me for such a period of time, is it possible I actually cease to exist for those six hours a day? Does anyone else feel like that?
Now that my second child has started school and I'm trying to force myself to sit at the computer for at least a couple of hours a day to start making use of my MA in Creative Writing (and yes, I know I am a living cliche), I find that my blog is a lovely thing to think about. It's like throwing my thoughts and opinions out into the universe, never knowing if someone out there will stop to read them, whether anyone will ever know my blog exists at all.
Somedays lately when I'm at home I wonder the same thing about myself - all these hours at home, alone. It's like, if no one sees me for such a period of time, is it possible I actually cease to exist for those six hours a day? Does anyone else feel like that?
Thursday, February 18, 2010
A bizarre day, when I find myself defending Pamela Anderson and agreeing with Victoria Beckham.
There are few celebrities I admire less than Pamela Anderson and Victoria Beckam, yet I feel compelled to write about both of them today.
Firstly, the storm of media criticism surrounding Pamela's NY Fashion Week outfit. If you haven't seen it, check this out - but warning, it may offend some viewers. http://news.ninemsn.com.au/entertainment/1014407/anderson-stripper-outfit-horrifies-critics
I want to know, what is the age cut-off for wearing such an outfit? Do you think it's 25, 35, perhaps if she was only 40, not 42?
I challenge even a 20-year-old supermodel to look good in such a trashy outfit. Let's blame the designer Richie Rich here, not the wearer!
Poor Pamela has built her career on showing off those melon breasts to an adoring, largely male, public. I get depressed looking at all the Sass and Bide outfits that I would love to wear, if I was ten years younger (I'm 38). How much worse for someone who has made a career out of flaunting her body to be now mocked in the media, to be told she should be showing less flesh and more dignity. I say, go Pamela, wear what you want. Why should we all have to grow old gracefully? We should all grow old in whatever manner will make us happy (within the confines of the law of course!).
As for Victoria Beckham. She's gone on The View and defended Size 0 models. THANK YOU! She says no one should be criticized for their size, small or large. This has long been a beef of mine. For some reason, if you are slim, people think its acceptable to comment on your weight, or worse, on what they believe to be your eating habits. Perhaps they think its a compliment, but I can tell you for the naturally skinny girl, it can be just as uncomfortable having people speculating on your eating habits as for a larger person. I never thought I would find myslef applauding Victoria Beckham, but I am! Go Victoria, champion of the Size 0 girl.
If we all spent more time looking inwards, instead of measuring ourselves against others, how much happier would be be?
Firstly, the storm of media criticism surrounding Pamela's NY Fashion Week outfit. If you haven't seen it, check this out - but warning, it may offend some viewers. http://news.ninemsn.com.au/entertainment/1014407/anderson-stripper-outfit-horrifies-critics
I want to know, what is the age cut-off for wearing such an outfit? Do you think it's 25, 35, perhaps if she was only 40, not 42?
I challenge even a 20-year-old supermodel to look good in such a trashy outfit. Let's blame the designer Richie Rich here, not the wearer!
Poor Pamela has built her career on showing off those melon breasts to an adoring, largely male, public. I get depressed looking at all the Sass and Bide outfits that I would love to wear, if I was ten years younger (I'm 38). How much worse for someone who has made a career out of flaunting her body to be now mocked in the media, to be told she should be showing less flesh and more dignity. I say, go Pamela, wear what you want. Why should we all have to grow old gracefully? We should all grow old in whatever manner will make us happy (within the confines of the law of course!).
As for Victoria Beckham. She's gone on The View and defended Size 0 models. THANK YOU! She says no one should be criticized for their size, small or large. This has long been a beef of mine. For some reason, if you are slim, people think its acceptable to comment on your weight, or worse, on what they believe to be your eating habits. Perhaps they think its a compliment, but I can tell you for the naturally skinny girl, it can be just as uncomfortable having people speculating on your eating habits as for a larger person. I never thought I would find myslef applauding Victoria Beckham, but I am! Go Victoria, champion of the Size 0 girl.
If we all spent more time looking inwards, instead of measuring ourselves against others, how much happier would be be?
Tuesday, February 16, 2010
Motown Gets Down, Down Under.
Dreamgirls sparked my interest in the Motown story. When I heard of the Motown 50th Anniversary event coming to Melbourne, I forked out $149 for a mediocre seat without a second thought. It seemed an incredible opportunity to be able to see some of these living legends of Motown history perform.
Mary Wilson, from the Supremes, had the misfortune to kick the concert off. I say misfortune, because at first the quality of the sound was not good! And it didn’t just bother me, she was getting a lot of feedback through the monitor and repeatedly had to ask mid-song for it to be turned down. Despite being obviously bothered by this, she gave a great performance, although she wasn’t able to whip the mainly older crowd into the frenzy I think she had hoped. No discredit to her act, I just don’t think we were capable of it. Takes a while to warm up, you know, after coming straight from work on a Tuesday night, hiking from all sides of the arena after illegally parking the car as close as we could get. Add to that the irritation my blistered feet and I were recovering from, after limping past a car park right within the arena that I had no knowledge of… but I digress. It struck me, as I watched Mary Wilson strut around the stage in a slinky gown, that she must be around the same age as my mother. How is that possible? Ms Wilson looks incredible and sings with a voice as sexy and strong as a thirty year old’s. And when she came out at the end she was wearing a black mini! A mini! And she looked fantastic in it!
The Miracles sounded great and looked fantastic in their gold suits with the long jackets, but their one original member, Bobby Rogers, sat on a stool for much of their performance and was clearly beyond many of the moves in their routine. He got left behind as they sang ‘The Tracks of my Tears' and ‘Second the Emotion’. I felt as if Mr. Rogers was there as a kind of club mascot, there so they could say ‘look – we still got one member, we’re authentic,’ rather than that we was up to the task of performing. But you know what? I would rather have seen him up on stage than a newcomer anyway. Again, a living legend in the flesh, and the fact that he was up there as all is to be applauded.
At first I was obsessed with googling on my i-phone to see which of the original members of the bands would be performing, but by the time The Temptations and The Four Tops came out I was like, ‘Who cares?’ These bands were just incredible and got the kind of enthusiasm from the audience that you would hope.
And Martha Reeves and the Vandellas – another great lady who had me marvelling at what can still be done later in life. (Sorry Mum, must stop comparing). There’s something about her confidence, the way she owns the stage that is quite mesmerising. I suppose that comes from a lifetime of performing. She had the crowd laughing as she joked about us helping her to find Jimmy - how we had to sing loud, because he was an old, old man now. And she had the audience on its feet as she sang ‘Dancing in the Streets,’ reminding us that it was her song first, before all the covers.
Joan Osborne was phenomenal, especially when she sang ‘Midnight Train to Georgia’. As soon as I post this, I'll be downloading some of her music from i-Tunes. My partner, I kid you not, said to me, ‘Wow, she looks good doesn’t she? What band was she from?’
When Jimmy Barnes and Ian Moss sang ‘What becomes of the BrokenHearted’ with her I began to understand how Jimmy Barnes came to be there. I mean, Jimmy Barnes is, well, Jimmy Barnes. The crowd love him. But, I’m sorry to say, I found myself giggling as he screamed Stevie Wonder’s ‘I Was Made to Love Her’ through what sounded like a lungful of phlegm and flung the sweat from his eyes. I’m not denying he is an incredible artist; I just couldn’t quite put him with the smoothness of the other Motown performers. I imagined the Motown gang backstage saying ‘What the –?’ His daughter, Mahalia who sang backup throughout the concert came forward and performed a number with him that was just incredible. Now THERE, I thought, is a voice that goes with Motown.
I wonder if anyone else there found the MC as annoying as I did. After every act he came onstage shouting ‘Do you like it?’ In fact as he walked Mary Wilson off the stage, trying to squeeze more hysteria from the crowd, he was like a bad spruiker who makes his wares looks suspicious just because he’s trying to sell them so hard. And when he said that if we wanted to see more of Motown, we could travel interstate to see one of the other concerts, he sounded as if he was bordering on desperate.
Why is there such limited space for dancing at concerts? I think every concert should have a ‘mosh pit’’ where people who really feel the music and want to dance can do so without being told they are a safety hazard. The number of people who stood up to dance and were told to move off the stairs, or out of the aisles, and were sent down the back to dance in a tiny row on the ground floor against the wall, as if they would be a disturbance in any other place, made me think of mothers having to go to the cry room with their noisy babies during church. I mean isn’t that the point? Isn’t music supposed to make you want to dance? Shouldn’t the aim be to have everyone up and dancing?
The absolute highlight of the evening was when all the performers came on stage and sang ‘I’ll be There’ in tribute to Michael Jackson, while images of Michael showed on the screens. It made me think how fantastic it would be if they recorded it as a single and donated the proceeds to Haiti or another charity. Then they finished up with ‘River Low-Mountain High’ kicked off by Jimmy Barnes, convincing me to think that he actually was a great fit after all.
As we looked back into the foyer around the stadium at the end of the concert, we saw a section sealed off for the performers, and there was Mary Wilson, in her black mini, sitting there ready for autograph signing. If I had known in advance they would be signing autographs I would have bought a program. I’m really not an autograph hunter, but the autographs of those Motown legends would have been worth having.
Mary Wilson, from the Supremes, had the misfortune to kick the concert off. I say misfortune, because at first the quality of the sound was not good! And it didn’t just bother me, she was getting a lot of feedback through the monitor and repeatedly had to ask mid-song for it to be turned down. Despite being obviously bothered by this, she gave a great performance, although she wasn’t able to whip the mainly older crowd into the frenzy I think she had hoped. No discredit to her act, I just don’t think we were capable of it. Takes a while to warm up, you know, after coming straight from work on a Tuesday night, hiking from all sides of the arena after illegally parking the car as close as we could get. Add to that the irritation my blistered feet and I were recovering from, after limping past a car park right within the arena that I had no knowledge of… but I digress. It struck me, as I watched Mary Wilson strut around the stage in a slinky gown, that she must be around the same age as my mother. How is that possible? Ms Wilson looks incredible and sings with a voice as sexy and strong as a thirty year old’s. And when she came out at the end she was wearing a black mini! A mini! And she looked fantastic in it!
The Miracles sounded great and looked fantastic in their gold suits with the long jackets, but their one original member, Bobby Rogers, sat on a stool for much of their performance and was clearly beyond many of the moves in their routine. He got left behind as they sang ‘The Tracks of my Tears' and ‘Second the Emotion’. I felt as if Mr. Rogers was there as a kind of club mascot, there so they could say ‘look – we still got one member, we’re authentic,’ rather than that we was up to the task of performing. But you know what? I would rather have seen him up on stage than a newcomer anyway. Again, a living legend in the flesh, and the fact that he was up there as all is to be applauded.
At first I was obsessed with googling on my i-phone to see which of the original members of the bands would be performing, but by the time The Temptations and The Four Tops came out I was like, ‘Who cares?’ These bands were just incredible and got the kind of enthusiasm from the audience that you would hope.
And Martha Reeves and the Vandellas – another great lady who had me marvelling at what can still be done later in life. (Sorry Mum, must stop comparing). There’s something about her confidence, the way she owns the stage that is quite mesmerising. I suppose that comes from a lifetime of performing. She had the crowd laughing as she joked about us helping her to find Jimmy - how we had to sing loud, because he was an old, old man now. And she had the audience on its feet as she sang ‘Dancing in the Streets,’ reminding us that it was her song first, before all the covers.
Joan Osborne was phenomenal, especially when she sang ‘Midnight Train to Georgia’. As soon as I post this, I'll be downloading some of her music from i-Tunes. My partner, I kid you not, said to me, ‘Wow, she looks good doesn’t she? What band was she from?’
When Jimmy Barnes and Ian Moss sang ‘What becomes of the BrokenHearted’ with her I began to understand how Jimmy Barnes came to be there. I mean, Jimmy Barnes is, well, Jimmy Barnes. The crowd love him. But, I’m sorry to say, I found myself giggling as he screamed Stevie Wonder’s ‘I Was Made to Love Her’ through what sounded like a lungful of phlegm and flung the sweat from his eyes. I’m not denying he is an incredible artist; I just couldn’t quite put him with the smoothness of the other Motown performers. I imagined the Motown gang backstage saying ‘What the –?’ His daughter, Mahalia who sang backup throughout the concert came forward and performed a number with him that was just incredible. Now THERE, I thought, is a voice that goes with Motown.
I wonder if anyone else there found the MC as annoying as I did. After every act he came onstage shouting ‘Do you like it?’ In fact as he walked Mary Wilson off the stage, trying to squeeze more hysteria from the crowd, he was like a bad spruiker who makes his wares looks suspicious just because he’s trying to sell them so hard. And when he said that if we wanted to see more of Motown, we could travel interstate to see one of the other concerts, he sounded as if he was bordering on desperate.
Why is there such limited space for dancing at concerts? I think every concert should have a ‘mosh pit’’ where people who really feel the music and want to dance can do so without being told they are a safety hazard. The number of people who stood up to dance and were told to move off the stairs, or out of the aisles, and were sent down the back to dance in a tiny row on the ground floor against the wall, as if they would be a disturbance in any other place, made me think of mothers having to go to the cry room with their noisy babies during church. I mean isn’t that the point? Isn’t music supposed to make you want to dance? Shouldn’t the aim be to have everyone up and dancing?
The absolute highlight of the evening was when all the performers came on stage and sang ‘I’ll be There’ in tribute to Michael Jackson, while images of Michael showed on the screens. It made me think how fantastic it would be if they recorded it as a single and donated the proceeds to Haiti or another charity. Then they finished up with ‘River Low-Mountain High’ kicked off by Jimmy Barnes, convincing me to think that he actually was a great fit after all.
As we looked back into the foyer around the stadium at the end of the concert, we saw a section sealed off for the performers, and there was Mary Wilson, in her black mini, sitting there ready for autograph signing. If I had known in advance they would be signing autographs I would have bought a program. I’m really not an autograph hunter, but the autographs of those Motown legends would have been worth having.
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